Remote Control Stasis Receiver
The Nakamichi SR-4 redefines the word receiver.
It offers the same convenience and economy but it's designed like separate audiophile components, each individually optimized, each individually powered, each isolated for minimum interference.
And what a receiver: Stasis power amplification for uniform impedance, inherent stability and tremendous peak-current capability, a moving coil/moving magnet phono preamp with precise equalisation, an effective subsonic filter and more!
Tuning range: FM, MW
Power output: 60 watts per channel into 8Ω (stereo)
Frequency response: 20Hz to 20kHz
Total harmonic distortion: 0.1%
Input sensitivity: 0.16mV (MC), 2.5mV (MM), 200mV (line)
Signal to noise ratio: 73dB (MC), 80dB (MM), 105dB (line)
Output: 200mV (line)
Speaker load impedance: 4Ω (minimum)
Dimensions: 430 x 100 x 370mm
Accessories: remote control
A flyer -
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Reviewed Apr 12th, 2016 by monte verdi
For starters I never give a 10 as many do because they are wowed by hearing a step up in performance from a common Mid-Fi system. I try and be judicious and fair in consideration of price category and value regarding performance.
Now after owning much tube and solid state high end gear such as Accuphase, Blue Circle and Perreaux to name but a few I must conclude that the NAK SR4A is a fine piece of gear. It does not smoke my main system as few things can but it does a very nice job of extension in both directions with a firm solid grip on transients and bass. The high end is detailed and relaxed and for those that have heard Pass Labs there are definite similarities. Namely, because this amp uses a Stasis amplification system designed by Nelson Pass for Threshold back in the 80's and licensed to Nakamichi for this release and a few other NAK's.
One important note is that this is the last Nakamichi Stasis receiver to be manufactured in Japan with subsequent amps and receivers being made in Taiwan. What does this mean, well I can attest that the power transformer is wound in Japan and we all know the Japanese are masters when it comes to fine copper and transformer winding back in the 60's-80's and presently with Hashimoto, Tango & Tamura.
Back on topic, I currently use the NAK SR 4A as a headphone amp and it smokes most Hi-End headphone amplifiers with it's shear muscle and finesse that music just rolls out relaxed detailed and controlled with an Iron fist. Smooth, detailed with a deep soundstage and harmonic textures that must be heard to be believed. My 600 Ohm Beyerdynamic DT990 Premium headphones sound superb with this amp and I had no idea just how good these headphones could sound until I plugged them in playing 4XDSD or vinyl via my Coph Nia MC Swedish phono stage. I highly recommend this amplifier and if you're into headphones do try as the output stage passes into the headphone output in the circuit after looking at the schematics!
Reviewed Jul 16th, 2015 by totorg
Great website, thank you. I use to sell all sorts of gear back in the day including Nakamichi, and while I loved their tape decks, I never paid much attention to the receivers. Fast forward 33 years: I have spent the last 17 years back in the listening game and have learned to listen much better than when I sold the stuff. Over the years I have listened to countless esoteric amplifiers both SS and tube, I have owned a variety of them from 8 watt SET amps to 200 watt load invariant units. I have run these on a variety of speakers from Klipsch La Scallas to Mggnepans...etc. After much reading, I recently picked up a Nakamichi SR 4A on eBay for a couple of hundred bucks. It was purchased for a mobile kitchen project's sound system. Received it, took off the top cover and blew out years of accumulated dust, sprayed the control pots with Deoxit, and WOW! This thing sounds very good and it is not even burned in! I am streaming full files from an IMac feeding into a Peachtree IDAC, my speakers are 12 cast frame single point source Audio Nirvanas 96db. I was absolutely stunned by the quality, transparency, width and depth of stage, non-glaring sound coming out of that Naka receiver. Difficult passages remained well detailed, did not bunch up or scream at me, decay of symbals sounds very natural and voices have a tube like liquidness about them. A truly remarkable piece of equipment for just a couple of hundred bucks. I would seriously recommend this unit to any one on a budget wanting great sound.